“To a Westerner, the art of the Pacific, particularly that of Polynesia, is like an escape, a search for purity and truth, a renewal,” George Ortiz, the Bolivian magnate who bought the illegally-acquired Motunui epa in 1973 and held on to them for four decades.
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“Parihaka was a place and an event that could be lost and found, over and over. It moved into view, then disappeared, just like the mountain.”— Rachel Buchanan.
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