Author: Dale Husband

Pauline Harris: Looking to the stars

“I always had a picture of Matariki next to my bed when I was growing up. I found it in National Geographic . . . I ripped the page out and put it on my wall, not knowing it would become really important to me later in life.” — Dr Pauline Harris, astrophysicist and expert on Māori astronomy and maramataka.

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Nadine Hura: Oriented to the light

“My book deals with grief and loss, because wherever there is colonialism, there is grief and loss. But there’s also strength, endurance, intelligence, wit, and just really hardworking, hard-case people doing their best in terrible and unjust circumstances.” — Nadine Hura, author of ‘Slowing the Sun’.

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Rhonda Hāpi-Smith: Working inside the wire

“That might have been me but for the good grace of God — and I always walked with that. I was there to ensure that they got back out to their families intact.” — Rhonda Hāpi-Smith, author of ‘Inside the Wire’, on her 20 years in the prison service.

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Michelle Rahurahu: The road to Poorhara

“For me, it wouldn’t make sense to write a story of two Māori cousins in a beat-up car roaming through this country without talking about all these different monuments to the colonial takeover of this land.” — Michelle Rahurahu on her Ockham-winning novel ‘Poorhara’.

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Tui Taurua: Into the light

“Here I am, 68 now, going on 69, and I’m having a vibrant life because I turned to my mātauranga Māori, and I started trusting my voices, and learning what I needed to learn.” — Tui Taurua, on her journey to recovery after 20 years in the psychiatric system.

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Bruce Jepsen: Let the experts do their job

“I don’t think we’ve even scratched the surface of our ability to educate through a te ao Māori lens. You only have to look at the amazing results in kura kaupapa Māori for the 3 percent of Māori who attend those kura.” — Bruce Jepsen, Te Akatea (Māori Principals Association)

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Anna Coddington: Always changing

“There was a time when I felt like I was on the outside looking in longingly at the Māori music scene, wanting to be part of it but not feeling like I had the reo or the connections.” — Singer-songwriter Anna Coddington.

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Miki Magasiva: Rhythm and tears

“When I wrote the script, I was going through an emotional time in my life . . . I must have spent, jeepers, three years crying, writing this thing.” — Miki Magasiva, who wrote, directed and produced ‘Tinā’.

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Aaron Smale: The need to know

“It was quite a fixation for me, even as a kid: wanting to know, wanting to know, wanting to know. Maybe that’s why I’m a journalist, because I was always asking questions, and my parents never had answers, or couldn’t give me answers.” —Aaron Smale.

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Valmaine Toki: A leading light in Indigenous rights

“To an extent, other Indigenous peoples have looked to us for direction, because they see Māori as being pioneers in advocating for our rights. And we have been, but we can do a lot more.” — Professor Valmaine Toki, chair of the UN Expert Mechanism for the Rights of Indigenous Peoples.

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Professor Jonathan Koea: In good hands

“Academic prowess is one thing, but there’s a whole lot of things that we look for in our doctors and our medical people, and getting the mix right and choosing right is hard and complicated.” — Professor of surgery Jonathan Koea.

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Kat Kaiwai: A life on the Coast

“I want to change the narrative for the people who live here today. I don’t want them to have to face the same thing as my dad did 60-something years ago, when he finished school and felt he had to move.” — Kat Kaiwai, of Tairāwhiti Contractors, on creating jobs on the East Coast.

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